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Luca Capozzi

Luca Capozzi

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Biografia

Una vita votata al Sound Design, dai vintage analogici ai moderni virtual synthesizers.

Esperto programmatore, proprietario ed amministratore di Progsounds.com (Online Synthesizer Resource) e Audiority.com dove gli utenti possono scambiare la propria esperienza e tecniche nell’ambito dei sintetizzatori.

Ha lavorato per la rivista CM2 Magazine; redattore su riviste online del settore tra cui Digital Audio Central, e Tastierablog.it.

 Mentalità sperimentale, approccia inoltre al circuit bending scovando sonorità totalmente nuove da apparecchiature ormai obsolete e quasi inutili.  

Biography

 Begins as bass player on 1993 since 2001. Starting on 2003 studying synthesis techniques and sound programming. Same year, with a couple of friends founded the Progsounds board grown, in the 2005, as an indipendent community portal dedicated to keyboardists and synthesizers now a sound design and consulting company. The Lead Sculpting mini series of articles got a modest success into the progressive rock/metal keyboardists community. On 2006 begins his collaboration with the magazine CM2 creating new sounds for product reviews. On 2007 get involved on the Digital Audio Central project of online magazine writing reviews and tutorials while releasing his first EP. On 2008 releases a new IDM album and approaches to sound design and music composition for theatre shows. In 2009 starts his theatrical journey composing musics and interactive sound effects for “Postumi – tra le avventure di Pinocchio”, directed and interpreted by Manuela Schiano. Successively he collaborates with director Vittorio Lucariello writing music for his show “Anima Mundi – il duende mi rende nervoso”, with Lorenzo Berti for his show “Umano troppo umano – Vol.1″ and for the original soundtrack for “In Utero – Work in Regress” by Manuela Schiano. On February 2009 he starts teaching sound synthesis and sampling for the “E.M.Pro Electronic Music Producer” course at NUT Academy.